Add Zedd

I’m a composer and producer who works independently and learns everything hands-on.

I started writing music years ago with the simplest setup possible — piano, voice, and a cassette recorder. No studio, no production knowledge, no clear direction. Just songs that needed to exist. Those early recordings stayed with me for a long time, waiting for the moment when I’d finally be able to bring them to life the way I heard them in my head.

That moment came much later.

I don’t come from a traditional music production background. Everything I use today — DAWs, sample libraries, mixing tools, mastering plugins — I learned on my own. Step by step. Trial and error. The same approach followed when visuals became part of the process: video editing, AI-generated scenes, syncing music to image, building full clips from short fragments. Even this website was something I had to figure out myself.

Because of that, my work isn’t polished in a textbook sense. And I’m okay with that. I prefer honesty over perfection. If I waited until everything felt flawless, none of this would exist.

Musically, I don’t limit myself to a single genre. Piano is usually the foundation, but from there anything can happen. A song might grow into rock, turn orchestral, collapse into something minimal, or shift its rhythm and mood halfway through. I like transitions. I like contrast. Quiet moments matter just as much as loud ones.

I’m interested in how emotions actually behave — rarely linear, often contradictory. That’s why my songs can move from calm to intense, from fragile to heavy, and sometimes back again. The structure follows the feeling, not the other way around.

Most of my music comes from internal tension, reflection, or periods of emotional weight. I don’t romanticize that state, but I recognize that it’s where my strongest ideas usually appear. Writing music becomes a way to process those moments without turning them into explanations or answers.

This is not background music.
It’s meant to be listened to.
Preferably in headphones.
Preferably without distractions.

I don’t chase trends, algorithms, or visibility for its own sake. I focus on making music that feels complete and meaningful to me first. If it resonates with someone else — even one person — that’s enough to justify the work.

I also see my music living beyond standalone listening. Films, series, visual storytelling, sync licensing — those contexts make sense to me. Music gains another layer when it supports a story, a scene, or an emotion that doesn’t need to be explained in words.

Everything I release is part of an ongoing process. I’m still learning, still improving, still refining how I write, produce, and present music. The goal isn’t to arrive somewhere perfect. The goal is to keep moving and to keep releasing work that feels honest.